Orchestra violin, nicely flamed back, sides and neck, good quality spruce top, spirit varnished, richly shaded brown, antique vintage finish. Fine quality ebony fittings including Teka model chinrest and two black adjusters, Thomastik Dominant Strings.
Orchestra violin, nicely flamed back, sides and neck, good quality spruce top, spirit varnished, richly shaded brown, antique vintage finish. Fine quality ebony fittings including Teka model chinrest and two black adjusters, Thomastik Dominant Strings.
Concert violin with beautifully flamed back, sides and neck, selected spruce top, spirit varnished, richly shaded golden brown. Precisely and carefully made instrument. Fine quality rosewood fittings with Parisian eye including Guarneri model chinrest and two black adjusters, Thomastik Dominant Strings.
Concert violin with beautifully flamed back, sides and neck, selected spruce top, spirit varnished, richly shaded golden brown. Precisely and carefully made instrument. Fine quality rosewood fittings with Parisian eye including Guarneri model chinrest and two black adjusters, Thomastik Dominant Strings.
Concert violin with beautifully flamed back, sides and neck, selected aged spruce top. Precisely and carefully made violin. Spirit varnished, richly shaded chestnut brown. Fine quality ebony fittings with Parisian eye including Guarneri model chinrest and two black adjusters, Thomastik Dominant Strings.
Concert violin with beautifully flamed back, sides and neck, selected aged spruce top. Precisely and carefully made violin. Spirit varnished, richly shaded chestnut brown. Fine quality ebony fittings with Parisian eye including Guarneri model chinrest and two black adjusters, Thomastik Dominant Strings.
Highly figured maple one or two piece back. Exceptionally fine spruce top. Finest ebony gold garniture. Lightly shaded, dark amber finish. Spirit varnish. Inlaid Ebony/Maple purfling. Top tuned with HD generator. Master Crafted. Fitted with Pirastro Eudox Strings
Highly figured maple one or two piece back. Exceptionally fine spruce top. Finest ebony gold garniture. Lightly shaded, dark amber finish. Spirit varnish. Inlaid Ebony/Maple purfling. Top tuned with HD generator. Master Crafted. Fitted with Pirastro Eudox Strings
Carefully selected aged spruce top with attractively and finely flamed one or two-piece back. Superior ebony hardwood, gold garniture. Dark amber shaded finish of hand spirit varnish, which produces an excellent response. Ebony/maple purfling. The fine spruce top is tuned with HD generator. This master instrument is coated wit Corelli Alliance strings.
Carefully selected aged spruce top with attractively and finely flamed one or two-piece back. Superior ebony hardwood, gold garniture. Dark amber shaded finish of hand spirit varnish, which produces an excellent response. Ebony/maple purfling. The fine spruce top is tuned with HD generator. This master instrument is coated wit Corelli Alliance strings.
Flamed maple, hand-crafted, richly shaded golden brown spirit varnish, inlaid ebony/maple purfling. Ebony pegs, tailpiece and chinrest – model Guarneri,Milo Stamm Standart bridge, two black adjusters,
Thomastik Dominant strings.
Sizes: 4/4, 3/4, 1/2, 1/4, 1/8
Flamed maple, hand-crafted, richly shaded golden brown spirit varnish, inlaid ebony/maple purfling. Ebony pegs, tailpiece and chinrest – model Guarneri,Milo Stamm Standart bridge, two black adjusters,
Thomastik Dominant strings.
Sizes: 4/4, 3/4, 1/2, 1/4, 1/8
Flamed maple, hand-crafted, richly shaded golden brown spirit lacquer, inlaid ebony/maple purfling. Ebony pegs, tailpiece and chinrest – model Guarneri. Milo Stamm Standart bridge, two black adjusters, Thomastik Dominant strings.
Sizes: 15"; 15,5"; 16" and 16,5
Flamed maple, hand-crafted, richly shaded golden brown spirit lacquer, inlaid ebony/maple purfling. Ebony pegs, tailpiece and chinrest – model Guarneri. Milo Stamm Standart bridge, two black adjusters, Thomastik Dominant strings.
Sizes: 15"; 15,5"; 16" and 16,5
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Germany and Hong Kong.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Germany and Hong Kong.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Germany and Hong Kong.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Germany and Hong Kong.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
He consult the tone quality of his violins, violas and cellos with the professors of Prague Conservatory and the members of Dvorak Quartet.
His master instruments have found home in Singapore, the USA, Spain, Germany and Hong Kong. In Bohemia his instument is played by the violist Anna Skalova and other outstanding young musicians.
Since 1992 he has been constructing concert and master instruments under his name for world-known company Akord Kvint, Ltd. In this company he sharpened his skills under the leadership of master luthiers Josef Dvorak and Josef Holpuch. Nowadays he cooperates in his professional development with luthiers Jan Poetzl, Michael van Berkum and Eduard Schwen.
Since 1992 he has been constructing concert and master instruments under his name for world-known company Akord Kvint, Ltd. In this company he sharpened his skills under the leadership of master luthiers Josef Dvorak and Josef Holpuch. Nowadays he cooperates in his professional development with luthiers Jan Poetzl, Michael van Berkum and Eduard Schwen.
Since 1992 he has been constructing concert and master instruments under his name for world-known company Akord Kvint, Ltd. In this company he sharpened his skills under the leadership of master luthiers Josef Dvorak and Josef Holpuch. Nowadays he cooperates in his professional development with luthiers Jan Poetzl, Michael van Berkum and Eduard Schwen.
Since 1992 he has been constructing concert and master instruments under his name for world-known company Akord Kvint, Ltd. In this company he sharpened his skills under the leadership of master luthiers Josef Dvorak and Josef Holpuch. Nowadays he cooperates in his professional development with luthiers Jan Poetzl, Michael van Berkum and Eduard Schwen.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Jan Lorenz was born on 5th July 1958 in Susice. His love for music brought him, after finishing the basic school, to the violin school in Luby, which he successfully finished in 1976 under the leadership of master luthier Miroslav Pikart.
Electric violin S1 model was designed both for professional as well as semi-professional performances. S1 is hand-made from selected spruce and maple wood, the neck and back are from maple and spruce.
Electric violin S1 model was designed both for professional as well as semi-professional performances. S1 is hand-made from selected spruce and maple wood, the neck and back are from maple and spruce.