FORGOT YOUR DETAILS?

New Keyboards

Keyboards

View 10 20 50 Showing 41-60 of 85 Results
View Cart Product successfully added to your cart.
  • Korg ARP Odyssey Module Duophonic Synthesizer Rev3

    Korg ARP Odyssey Module Duophonic Synthesizer Rev3

    $649.99
    Maximum Polyphony
     
    2 voices for duophonic; normally monophonic
    Controllers
    Transpose Positions
    2 octaves down, normal, 2 octave up
    Proportional Pitch Control
    b (Pitch down) Pad: about -2 / 3 octave
    - (Modulation) Pad
    # (Pitch-up) Pad: about +2 / 3 octave
    Noise Generator
    Noise Spectrum Types (white and pink)
    Portamento
    Maximum Speed
    about 0.01 msec./oct
    Minimum Speed
    about 1.5 sec./oct
    VCO (Voltage Controlled Oscillator)
    Waveforms
    Sawtooth, Square, Pluse (Dynamic Pluse)
    Frequency Range
    VCO-1 in low freq. mode, 0.2 Hz – 20 Hz: VCO-1 and VCO-2 (audio range) about 20 Hz – 20 kHz
    Warm Up Drift
    1/30 semitone from turn on max
    Pulse Width
    50 % – 5 %
    Pulse Width Modulation
    ADSR, +45 %
    LFO, +15 %
    Voltage Controlled Response
    1 V/oct
    Maximum Frequency Shifts
    LFO sin wave, +1/2 oct.
    LFO square wave, +1.5 oct.
    ADSR, +9 oct.
    S/H, +2 oct.
    * VCO-1 is low note priority, VCO-2 is high note priority.
    VCF (Voltage Controlled Filter)
    Types
    Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
    Frequency Range
    16 Hz - 16 kHz
    Maximum Usable Q
    30
    Resonance
    1/2 - self oscillate
    Voltage Controlled Response
    C3 key (left edge): 0 V
    C6 key (right edge) 3 V
    VCA (Voltage Controlled Amplifier)
    Dynamic Range
    80 dB
    Ring Modulator
    Type
    Digital
    Input Signal
    VCO-1, VCO-2 (square wave)
    Sample & Hold
    Command Sources
    Keyboard or LFO trigger
    Sampled Signals
    VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise
    ADSR Envelope Generator
    Attack Time
    5 msec. - 5 sec.
    Decay Time
    10 msec. - 8 sec.
    Sutatin Level
    0 - 100 % or Peak
    Release Time
    15 msec. - 10 sec.
    AR Envelope Generator
    Attack Time
    5 msec. - 5 sec.
    Release Time
    10 msec. - 8 sec.
    Control Input Jacks
    Pedal
    6.3 mm monaural phone jack
    Portamento Foot Switch
    6.3 mm monaural phone jack
    Audio Output Jacks
    LOW
    Connector
    6.3 mm monaural phone jack
    Maximum Output Level
    -20 dBu@ 10 k ohm load
    Output Impedance
    10 k ohm
    Audio Output Jacks
    HIGH
    Connector
    XLR connector
    Maximum Output Level
    +4 dBu@ 1 k ohm load
    Output Impedance
    330 ohm
    Headphones Jack
    Connector
    6.3 mm stereo phone jack
    Maximum Output Level
    50 mW + 50 mW@ 33 ohm load
    Output Impedance
    10 ohm
    * Controllable by volume knob.
    External Audio Input (Ext Audio Input) Jack
    Connector
    6.3 mm monaural phone jack
    Maximum Input Level
    -10 dBu
    Input Impedance
    22 k ohm
    MIDI Connector
    IN
    USB Connector
    Type B
    CV IN/OUT Jacks
    Keyboard CV (IN/OUT)
    1 V/oct.
    Connector
    3.5 mm monaural phone jack
    GATE IN/OUT Jacks
    GATE IN
    +3 V (minimum)
    GATE OUT
    +10 V, key down; 0 V all keys up
    Connector
    3.5 mm monaural phone jack
    TRIG IN/OUT Jacks
    TRIG IN
    +3 V pulse min., 10 μsec. Duration minimum
    TRIG OUT
    +10 V pulse on key depression, 10 μsec. Duration
    Connector
    3.5 mm monaural phone jack
    Power Supply
    AC adapter jack (DC 9V)
    Power Consumption
    6.5 W
    Dimensions (W x D x H)
    496 x 265 x 89 mm / 19.53” x 10.43” x 3.50”
    Weight
    3.7 kg / 8.16 lbs
    Design Variations
    White (ARP ODYSSEY Module Rev1), Black and Orange (ARP ODYSSEY Module Rev3)
    Included Items
    AC adapter, phone cable, mini-phone cable
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg ARP Odyssey Module Duophonic Synthesizer Rev3

    Korg ARP Odyssey Module Duophonic Synthesizer Rev3

    Maximum Polyphony
     
    2 voices for duophonic; normally monophonic
    Controllers
    Transpose Positions
    2 octaves down, normal, 2 octave up
    Proportional Pitch Control
    b (Pitch down) Pad: about -2 / 3 octave
    - (Modulation) Pad
    # (Pitch-up) Pad: about +2 / 3 octave
    Noise Generator
    Noise Spectrum Types (white and pink)
    Portamento
    Maximum Speed
    about 0.01 msec./oct
    Minimum Speed
    about 1.5 sec./oct
    VCO (Voltage Controlled Oscillator)
    Waveforms
    Sawtooth, Square, Pluse (Dynamic Pluse)
    Frequency Range
    VCO-1 in low freq. mode, 0.2 Hz – 20 Hz: VCO-1 and VCO-2 (audio range) about 20 Hz – 20 kHz
    Warm Up Drift
    1/30 semitone from turn on max
    Pulse Width
    50 % – 5 %
    Pulse Width Modulation
    ADSR, +45 %
    LFO, +15 %
    Voltage Controlled Response
    1 V/oct
    Maximum Frequency Shifts
    LFO sin wave, +1/2 oct.
    LFO square wave, +1.5 oct.
    ADSR, +9 oct.
    S/H, +2 oct.
    * VCO-1 is low note priority, VCO-2 is high note priority.
    VCF (Voltage Controlled Filter)
    Types
    Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
    Frequency Range
    16 Hz - 16 kHz
    Maximum Usable Q
    30
    Resonance
    1/2 - self oscillate
    Voltage Controlled Response
    C3 key (left edge): 0 V
    C6 key (right edge) 3 V
    VCA (Voltage Controlled Amplifier)
    Dynamic Range
    80 dB
    Ring Modulator
    Type
    Digital
    Input Signal
    VCO-1, VCO-2 (square wave)
    Sample & Hold
    Command Sources
    Keyboard or LFO trigger
    Sampled Signals
    VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise
    ADSR Envelope Generator
    Attack Time
    5 msec. - 5 sec.
    Decay Time
    10 msec. - 8 sec.
    Sutatin Level
    0 - 100 % or Peak
    Release Time
    15 msec. - 10 sec.
    AR Envelope Generator
    Attack Time
    5 msec. - 5 sec.
    Release Time
    10 msec. - 8 sec.
    Control Input Jacks
    Pedal
    6.3 mm monaural phone jack
    Portamento Foot Switch
    6.3 mm monaural phone jack
    Audio Output Jacks
    LOW
    Connector
    6.3 mm monaural phone jack
    Maximum Output Level
    -20 dBu@ 10 k ohm load
    Output Impedance
    10 k ohm
    Audio Output Jacks
    HIGH
    Connector
    XLR connector
    Maximum Output Level
    +4 dBu@ 1 k ohm load
    Output Impedance
    330 ohm
    Headphones Jack
    Connector
    6.3 mm stereo phone jack
    Maximum Output Level
    50 mW + 50 mW@ 33 ohm load
    Output Impedance
    10 ohm
    * Controllable by volume knob.
    External Audio Input (Ext Audio Input) Jack
    Connector
    6.3 mm monaural phone jack
    Maximum Input Level
    -10 dBu
    Input Impedance
    22 k ohm
    MIDI Connector
    IN
    USB Connector
    Type B
    CV IN/OUT Jacks
    Keyboard CV (IN/OUT)
    1 V/oct.
    Connector
    3.5 mm monaural phone jack
    GATE IN/OUT Jacks
    GATE IN
    +3 V (minimum)
    GATE OUT
    +10 V, key down; 0 V all keys up
    Connector
    3.5 mm monaural phone jack
    TRIG IN/OUT Jacks
    TRIG IN
    +3 V pulse min., 10 μsec. Duration minimum
    TRIG OUT
    +10 V pulse on key depression, 10 μsec. Duration
    Connector
    3.5 mm monaural phone jack
    Power Supply
    AC adapter jack (DC 9V)
    Power Consumption
    6.5 W
    Dimensions (W x D x H)
    496 x 265 x 89 mm / 19.53” x 10.43” x 3.50”
    Weight
    3.7 kg / 8.16 lbs
    Design Variations
    White (ARP ODYSSEY Module Rev1), Black and Orange (ARP ODYSSEY Module Rev3)
    Included Items
    AC adapter, phone cable, mini-phone cable
    $649.99

    Korg ARP Odyssey Module Duophonic Synthesizer Rev3

    $649.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg MS-20 FS Monophonic Synthesizer - Green

    Korg MS-20 FS Monophonic Synthesizer - Green

    $1,399.99
    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg MS-20 FS Monophonic Synthesizer - Green

    Korg MS-20 FS Monophonic Synthesizer - Green

    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    $1,399.99

    Korg MS-20 FS Monophonic Synthesizer - Green

    $1,399.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg MS-20 FS Monophonic Synthesizer - White

    Korg MS-20 FS Monophonic Synthesizer - White

    $1,399.99
    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg MS-20 FS Monophonic Synthesizer - White

    Korg MS-20 FS Monophonic Synthesizer - White

    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    $1,399.99

    Korg MS-20 FS Monophonic Synthesizer - White

    $1,399.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg MS-20 FS Monophonic Synthesizer - Black

    Korg MS-20 FS Monophonic Synthesizer - Black

    $1,399.99
    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg MS-20 FS Monophonic Synthesizer - Black

    Korg MS-20 FS Monophonic Synthesizer - Black

    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    $1,399.99

    Korg MS-20 FS Monophonic Synthesizer - Black

    $1,399.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg MS-20 FS Monophonic Synthesizer - Blue

    Korg MS-20 FS Monophonic Synthesizer - Blue

    $1,399.99
    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg MS-20 FS Monophonic Synthesizer - Blue

    Korg MS-20 FS Monophonic Synthesizer - Blue

    Main Specifications
    Color variation
    GREEN, WHITE, BLUE, BLACK
    Keyboard
    37-notes full size keyboard (3 octave)
    Main Controllers
    Controll Wheel (center click), Momentary switch
    Input/Output
    SIGNAL IN jack (mono phone jack), SIGNAL OUT jack (mono phone jack, 2Vp-p output, 3.5 k ohm), PHONES jack (stereo phone jack, 33 ohm, 48mW), DC12V jack, MIDI IN jack, USB connector (type B)
    Power Supply
    DC12V
    Dimensions (W x D x H)
    573 mm x 316 mm x 248 mm/22.56" x 12.44" x 9.76"
    Weight
    6.3 kg/13.89 lbs.
    Included Items
    AC adapter (12 V/1.5 A), patch cable x 10
    MS-20 FS shares other specifications and features with MS-20 m
    $1,399.99

    Korg MS-20 FS Monophonic Synthesizer - Blue

    $1,399.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Medeli A300 Keyboard

    Medeli A300 Keyboard

    $350.00$199.00
    A300 introduces a brand new Intelligent Learning System to guide your practice. A grading system is utilized to keep track of your learning progress. Ready to play “unplug”? A300’s Performance Assistant provides a beautiful guitar and piano accompaniment that allows you to have a sense of playing unplug without being unplugged. A300 helps you to perform and share the joy of playing in the most intuitive way.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Medeli A300 Keyboard

    Medeli A300 Keyboard

    A300 introduces a brand new Intelligent Learning System to guide your practice. A grading system is utilized to keep track of your learning progress. Ready to play “unplug”? A300’s Performance Assistant provides a beautiful guitar and piano accompaniment that allows you to have a sense of playing unplug without being unplugged. A300 helps you to perform and share the joy of playing in the most intuitive way.
    $350.00 $199.00

    Medeli A300 Keyboard

    $350.00 $199.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg PA700 Keyboard

    Korg PA700 Keyboard

    $1,088.00
    Keyboard61 keys (C2 – C7) with velocitySystemUpgradable operating system, Multitasking, Load while playSound GeneratorEDS-X (Enhanced Definition Synthesis – eXpanded)
    Filters with resonance, 3-band EQ on each SoundPolyphony128 voices, 128 oscillators
    Effects
    Accompaniment/Song: 2 insert effects; 2 master effects (148 types)
    Keyboard Sounds: 1 insert effect; 2 master effects (148 types)
    Final mastering effects: Limiter, Master EQ
    Voice Processor: 5 FX, 28 Factory, 64 User Presets
    Guitar Processor: 3 FX, 45 Factory, 64 User PresetsSounds / Drum KitsFactory: More than 1,700 Factory Sounds including a multilayer Stereo Piano with damper and body resonance, GM/XG sound sets and 106 Drum Kit
    User: 512 Sounds, 256 Drum Kits
    Digital Drawbars: 9 footages, percussion, key on/off, leakage, rotary speaker effect
    DNC (Defined Nuance Control) Technology, Natural Ambience Drums
    Full Sounds/Drum Kits editingSampling128 MB compressed (equivalent to 256 MB linear data);
    Loads KORG, WAV, AIFF and SoundFont™ formats
    Saves KORG, WAV and AIFF formats
    Full Edit, Time SliceStylesFactory: More than 370 Factory Styles, freely reconfigurable sets
    User: 1,152 locations, including User and Direct banks
    Eight Accompaniment tracks, 4 Keyboard Sets, 4 Pads per Style;
    Style Settings (Sounds and Arranger parameters) on each Style
    Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table)
    Style/Pad Record with Step Record, Track and Event Edit
    Style Creator Bot (MIDI Song to Style Converter)
    Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start, Synchro Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Style to Keyboard Set Mode
    Chord SequencerChord Sequence recorder and player in Style Play mode
    Chord Sequences can be saved to Style and SongBook Entries
    Edit functions: Delete, Copy from Style/SongBook, Import/Export from/to SMFKeyboard Set LibraryMemorize Keyboard Sound settings
    Factory: More than 290 Factory Keyboard Sets, freely reconfigurable
    User: 864 locations, including User and Direct banks
    ‘My Setting’ special Keyboard SetKAOSS FXAutomatic MIDI FX generator
    More than 65 Factory PresetsSong PlaySupported formats: MID, KAR, MP3+Lyrics, MP3+G
    Select, Start/Stop, Home, Rewind and Fast Forward controls
    Lyrics, Score, and Chord data can be displayed on screen, or on an external video monitor
    Markers with Add, Delete, Edit and Loop functions
    Jukebox functionMP3 Player / RecorderMP3 Player and Recorder
    Transpose (+6/-5 semitones), Tempo change (±30%)
    Vocal Remover
    Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Microphone, Guitar, Effects, and KAOSS Effects
    SequencerQuick Record (Backing Sequence), Multitrack and Step Record functions
    Full-featured sequencer, 16 tracks, Up to 200,000 events, SMF (MID) native formatSongBookFully programmable music database, based on Styles, MIDI Songs (MID and KAR files), MP3 Songs, with automatic selection of Style Play and Song Play modes
    User definable Set Lists, with Entries selectable from the control panel
    Filtering and sorting optionsCompatibilityPa-Series models: Styles, Performances, Programs/Sounds, Songs, SongBook Entries, Pads ‘i-Series’ models: StylesPadsFour Assignable Pads + Stop buttons
    Pad Record functionGeneral ControlsMaster Volume, Fade In/Out, Keyboard-Acc/Song Balance, Ensemble, Octave Transpose, Master Transpose, Joystick, 2 Assignable Knobs, 3 Assignable Switches, Tempo +/-, Tempo
    Lock; Metronome On/Off, Dial, Search, Shift Split, RecordScale ControlsVirtual Quarter Tone SubScale Keypad, 4 x Scale Presets
    Control InputsDamper pedal (supports half-pedaling with the optional DS-1H pedal)
    Assignable pedal/switchAudio InputsLine (Left/Right): 1/4” jacks, +20dBm, 12k Ohm
    Mic/Guitar (Left): 1/4” jack, with Gain control (0 — +40dB)
    12k ohm (Mic) / 500k ohm (Guitar)Audio OutputsLeft/Right, 1/4” jack, +21dBm, 0.003% THD+N@+18dBm
    Headphone output (1/4” jack), 16-200 Ohms (50 Ohms suggested)Speaker SystemAmplification: 2 x 25W
    Speakers: 2 x Dual Cone Speakers in Bass Reflex BoxMIDIIN, OUT standard MIDI connectors
    USB to MIDI using the USB ports
    HOST: memory and controllers, DEVICE: personal computers
    Eight user definable MIDI SetupsUSBType A (Host), Type B (Device)
    2.0 Hgh-Speed connections (480 Mbit/s). Low-Speed (1.5 Mbit/s) and Full-Speed (12 Mbit/s) devices can only be connected through a High-Speed USB hub.StorageInternal memory: 960 MB
    USB external drives (drive not included)
    microSD card (not included); rear panel slot with plastic cover
    Display7” Wide capacitive color TouchView™ TFT displayVideo OutHDMI connectorClockInternal System ClockPower Consumption100-240 Volts, 50/60 Hz, 25 Watt normal / < 0.3 Watt in standbyDimensions (W x D x H)1030 x 378.3 x 132 mm/40.55" x 14.89" x 5.2" (without music stand; height with music rest: 355.8 mm / 14”)Weight9.9 kg/21.82 lbsIncluded ItemsAC Power Cable, Music Stand, Quick Guide manual
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg PA700 Keyboard

    Korg PA700 Keyboard

    Keyboard61 keys (C2 – C7) with velocitySystemUpgradable operating system, Multitasking, Load while playSound GeneratorEDS-X (Enhanced Definition Synthesis – eXpanded)
    Filters with resonance, 3-band EQ on each SoundPolyphony128 voices, 128 oscillators
    Effects
    Accompaniment/Song: 2 insert effects; 2 master effects (148 types)
    Keyboard Sounds: 1 insert effect; 2 master effects (148 types)
    Final mastering effects: Limiter, Master EQ
    Voice Processor: 5 FX, 28 Factory, 64 User Presets
    Guitar Processor: 3 FX, 45 Factory, 64 User PresetsSounds / Drum KitsFactory: More than 1,700 Factory Sounds including a multilayer Stereo Piano with damper and body resonance, GM/XG sound sets and 106 Drum Kit
    User: 512 Sounds, 256 Drum Kits
    Digital Drawbars: 9 footages, percussion, key on/off, leakage, rotary speaker effect
    DNC (Defined Nuance Control) Technology, Natural Ambience Drums
    Full Sounds/Drum Kits editingSampling128 MB compressed (equivalent to 256 MB linear data);
    Loads KORG, WAV, AIFF and SoundFont™ formats
    Saves KORG, WAV and AIFF formats
    Full Edit, Time SliceStylesFactory: More than 370 Factory Styles, freely reconfigurable sets
    User: 1,152 locations, including User and Direct banks
    Eight Accompaniment tracks, 4 Keyboard Sets, 4 Pads per Style;
    Style Settings (Sounds and Arranger parameters) on each Style
    Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table)
    Style/Pad Record with Step Record, Track and Event Edit
    Style Creator Bot (MIDI Song to Style Converter)
    Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start, Synchro Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Style to Keyboard Set Mode
    Chord SequencerChord Sequence recorder and player in Style Play mode
    Chord Sequences can be saved to Style and SongBook Entries
    Edit functions: Delete, Copy from Style/SongBook, Import/Export from/to SMFKeyboard Set LibraryMemorize Keyboard Sound settings
    Factory: More than 290 Factory Keyboard Sets, freely reconfigurable
    User: 864 locations, including User and Direct banks
    ‘My Setting’ special Keyboard SetKAOSS FXAutomatic MIDI FX generator
    More than 65 Factory PresetsSong PlaySupported formats: MID, KAR, MP3+Lyrics, MP3+G
    Select, Start/Stop, Home, Rewind and Fast Forward controls
    Lyrics, Score, and Chord data can be displayed on screen, or on an external video monitor
    Markers with Add, Delete, Edit and Loop functions
    Jukebox functionMP3 Player / RecorderMP3 Player and Recorder
    Transpose (+6/-5 semitones), Tempo change (±30%)
    Vocal Remover
    Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Microphone, Guitar, Effects, and KAOSS Effects
    SequencerQuick Record (Backing Sequence), Multitrack and Step Record functions
    Full-featured sequencer, 16 tracks, Up to 200,000 events, SMF (MID) native formatSongBookFully programmable music database, based on Styles, MIDI Songs (MID and KAR files), MP3 Songs, with automatic selection of Style Play and Song Play modes
    User definable Set Lists, with Entries selectable from the control panel
    Filtering and sorting optionsCompatibilityPa-Series models: Styles, Performances, Programs/Sounds, Songs, SongBook Entries, Pads ‘i-Series’ models: StylesPadsFour Assignable Pads + Stop buttons
    Pad Record functionGeneral ControlsMaster Volume, Fade In/Out, Keyboard-Acc/Song Balance, Ensemble, Octave Transpose, Master Transpose, Joystick, 2 Assignable Knobs, 3 Assignable Switches, Tempo +/-, Tempo
    Lock; Metronome On/Off, Dial, Search, Shift Split, RecordScale ControlsVirtual Quarter Tone SubScale Keypad, 4 x Scale Presets
    Control InputsDamper pedal (supports half-pedaling with the optional DS-1H pedal)
    Assignable pedal/switchAudio InputsLine (Left/Right): 1/4” jacks, +20dBm, 12k Ohm
    Mic/Guitar (Left): 1/4” jack, with Gain control (0 — +40dB)
    12k ohm (Mic) / 500k ohm (Guitar)Audio OutputsLeft/Right, 1/4” jack, +21dBm, 0.003% THD+N@+18dBm
    Headphone output (1/4” jack), 16-200 Ohms (50 Ohms suggested)Speaker SystemAmplification: 2 x 25W
    Speakers: 2 x Dual Cone Speakers in Bass Reflex BoxMIDIIN, OUT standard MIDI connectors
    USB to MIDI using the USB ports
    HOST: memory and controllers, DEVICE: personal computers
    Eight user definable MIDI SetupsUSBType A (Host), Type B (Device)
    2.0 Hgh-Speed connections (480 Mbit/s). Low-Speed (1.5 Mbit/s) and Full-Speed (12 Mbit/s) devices can only be connected through a High-Speed USB hub.StorageInternal memory: 960 MB
    USB external drives (drive not included)
    microSD card (not included); rear panel slot with plastic cover
    Display7” Wide capacitive color TouchView™ TFT displayVideo OutHDMI connectorClockInternal System ClockPower Consumption100-240 Volts, 50/60 Hz, 25 Watt normal / < 0.3 Watt in standbyDimensions (W x D x H)1030 x 378.3 x 132 mm/40.55" x 14.89" x 5.2" (without music stand; height with music rest: 355.8 mm / 14”)Weight9.9 kg/21.82 lbsIncluded ItemsAC Power Cable, Music Stand, Quick Guide manual
    $1,088.00

    Korg PA700 Keyboard

    $1,088.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Hammond XK-5 Portable Organ Keyboard

    Hammond XK-5 Portable Organ Keyboard

    $3,680.00
    “1950’s” Vintage Technology in 21st Century Terms
    Patented MULTIPLE Key contacts give Original HAMMOND Feel
    Redesigned “Engine” with 108 discretely voiceable Tonewheels
    4 sets of Drawbars/Brand New Digital Leslie
    Expandable all the way to the B-3-Styled “A-3 Heritage System”
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Hammond XK-5 Portable Organ Keyboard

    Hammond XK-5 Portable Organ Keyboard

    “1950’s” Vintage Technology in 21st Century Terms
    Patented MULTIPLE Key contacts give Original HAMMOND Feel
    Redesigned “Engine” with 108 discretely voiceable Tonewheels
    4 sets of Drawbars/Brand New Digital Leslie
    Expandable all the way to the B-3-Styled “A-3 Heritage System”
    $3,680.00

    Hammond XK-5 Portable Organ Keyboard

    $3,680.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg Vox Continental LS (61 keys)

    Korg Vox Continental LS (61 keys)

    $1,699.00
    The original VOX Continental, a transistor organ that appeared in the 1960s, is a timeless classic beloved by top players as a practical keyboard with a home on any live stage. Now, a completely new keyboard that carries this concept into the present day has been again released by the VOX brand.
    The VOX Continental uses a simple and intuitive interface that allows quick accessibility of every function. The high-quality sound engine section is centered on organ, electric piano, and acoustic piano, and provides a wealth of stage-ready sounds. In addition, the Continental features a powerful effects section to enhance these sounds, and even analog valve drive powered by Nutube, the cutting-edge vacuum tube. It's an instrument that perfectly fits your live performance requirements for a variety of styles including rock, pop, jazz, and more.
    The air of tradition that emanates from VOX organs, together with the innovation of decades of research, down to the illuminated VOX logo shows the new VOX Continental is a fusion of both, redefining the existence of the modern stage keyboard.
    FREE SHIPPING
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg Vox Continental LS (61 keys)

    Korg Vox Continental LS (61 keys)

    The original VOX Continental, a transistor organ that appeared in the 1960s, is a timeless classic beloved by top players as a practical keyboard with a home on any live stage. Now, a completely new keyboard that carries this concept into the present day has been again released by the VOX brand.
    The VOX Continental uses a simple and intuitive interface that allows quick accessibility of every function. The high-quality sound engine section is centered on organ, electric piano, and acoustic piano, and provides a wealth of stage-ready sounds. In addition, the Continental features a powerful effects section to enhance these sounds, and even analog valve drive powered by Nutube, the cutting-edge vacuum tube. It's an instrument that perfectly fits your live performance requirements for a variety of styles including rock, pop, jazz, and more.
    The air of tradition that emanates from VOX organs, together with the innovation of decades of research, down to the illuminated VOX logo shows the new VOX Continental is a fusion of both, redefining the existence of the modern stage keyboard.
    FREE SHIPPING
    $1,699.00

    Korg Vox Continental LS (61 keys)

    $1,699.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Hammond XK-5 Heritage Pro System

    Hammond XK-5 Heritage Pro System

    $0.00
    The revolutionary new XK-5 is the “spitting image” of the classic Hammond B-3 with one exception. Missing is the 450lb. weight! On its custom folding metal stand, the easy-to-transport Double Manual Heritage Pro retains the exact proportions of a B-3, complete with B-3 style 25 note pedalboard, swell pedal and matching bench. And best of all, it weighs in at HALF of the original, retaining ALL of the sound and soul.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Hammond XK-5 Heritage Pro System

    Hammond XK-5 Heritage Pro System

    The revolutionary new XK-5 is the “spitting image” of the classic Hammond B-3 with one exception. Missing is the 450lb. weight! On its custom folding metal stand, the easy-to-transport Double Manual Heritage Pro retains the exact proportions of a B-3, complete with B-3 style 25 note pedalboard, swell pedal and matching bench. And best of all, it weighs in at HALF of the original, retaining ALL of the sound and soul.
    $0.00

    Hammond XK-5 Heritage Pro System

    $0.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg Kronos 88 Key Keyboard

    Korg Kronos 88 Key Keyboard

    $3,899.99
    System
    KRONOS System Version 3.0
    Keyboard
    88 key: RH3 (Real Weighted Hammer Action 3)

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    88 key: 1,443 x 371 x 148 mm / 56.42” x 14.61” x 5.83”
    Weight
    88 key: 24.1 kg / 53.13 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg Kronos 88 Key Keyboard

    Korg Kronos 88 Key Keyboard

    System
    KRONOS System Version 3.0
    Keyboard
    88 key: RH3 (Real Weighted Hammer Action 3)

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    88 key: 1,443 x 371 x 148 mm / 56.42” x 14.61” x 5.83”
    Weight
    88 key: 24.1 kg / 53.13 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    $3,899.99

    Korg Kronos 88 Key Keyboard

    $3,899.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg Pa4X Professional Arranger, 61 Key - Black

    Korg Pa4X Professional Arranger, 61 Key - Black

    $5,000.00$3,799.99
    From the legendary Donca-matic to the world’s most popular workstations, KORG has spent decades innovating new technologies designed to propel every keyboard performance to the highest level of excellence. KORG’s flagship Pa4X Professional Arranger continues this tradition with incredible refinements to every aspect of the sound quality—and with enhanced performance capabilities. The Pa4X Professional Arranger is more than a keyboard. It’s your backup band; your accompanist; and your musical director. It’s your soundman; your effects engineer; and your always in-tune background singers. Best of all, you’re always in charge!
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg Pa4X Professional Arranger, 61 Key - Black

    Korg Pa4X Professional Arranger, 61 Key - Black

    From the legendary Donca-matic to the world’s most popular workstations, KORG has spent decades innovating new technologies designed to propel every keyboard performance to the highest level of excellence. KORG’s flagship Pa4X Professional Arranger continues this tradition with incredible refinements to every aspect of the sound quality—and with enhanced performance capabilities. The Pa4X Professional Arranger is more than a keyboard. It’s your backup band; your accompanist; and your musical director. It’s your soundman; your effects engineer; and your always in-tune background singers. Best of all, you’re always in charge!
    $5,000.00 $3,799.99

    Korg Pa4X Professional Arranger, 61 Key - Black

    $5,000.00 $3,799.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • PA700 Oriental

    PA700 Oriental

    $1,299.00
    Keyboard 61 keys (C2 – C7) with velocity System Upgradable operating system, Multitasking, Load while play Sound Generator EDS-X (Enhanced Definition Synthesis – eXpanded)
    Filters with resonance, 3-band EQ on each Sound Polyphony 128 voices, 128 oscillators
    Effects Accompaniment/Song: 2 insert effects; 2 master effects (148 types)
    Keyboard Sounds: 1 insert effect; 2 master effects (148 types)
    Final mastering effects: Limiter, Master EQ
    Voice Processor: 5 FX, 28 Factory, 64 User Presets
    Guitar Processor: 3 FX, 45 Factory, 64 User Presets Sounds / Drum Kits Factory: More than 1,700 Factory Sounds including a multilayer Stereo Piano with damper and body resonance, GM/XG sound sets and 106 Drum Kits
    User: 512 Sounds, 256 Drum Kits
    Digital Drawbars: 9 footages, percussion, key on/off, leakage, rotary speaker effect
    DNC (Defined Nuance Control) Technology, Natural Ambience Drums
    Full Sounds/Drum Kits editing Sampling 128 MB compressed (equivalent to 256 MB linear data);
    Loads KORG, WAV, AIFF and SoundFont™ formats
    Saves KORG, WAV and AIFF formats
    Full Edit, Time Slice Styles Factory: More than 370 Factory Styles, freely reconfigurable sets
    User: 1,152 locations, including User and Direct banks
    Eight Accompaniment tracks, 4 Keyboard Sets, 4 Pads per Style;
    Style Settings (Sounds and Arranger parameters) on each Style
    Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table)
    Style/Pad Record with Step Record, Track and Event Edit
    Style Creator Bot (MIDI Song to Style Converter)
    Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start, Synchro Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Style to Keyboard Set Mode
    Chord Sequencer Chord Sequence recorder and player in Style Play mode
    Chord Sequences can be saved to Style and SongBook Entries
    Edit functions: Delete, Copy from Style/SongBook, Import/Export from/to SMF Keyboard Set Library Memorize Keyboard Sound settings
    Factory: More than 290 Factory Keyboard Sets, freely reconfigurable
    User: 864 locations, including User and Direct banks
    ‘My Setting’ special Keyboard Set KAOSS FX Automatic MIDI FX generator
    More than 65 Factory Presets Song Play Supported formats: MID, KAR, MP3+Lyrics, MP3+G
    Select, Start/Stop, Home, Rewind and Fast Forward controls
    Lyrics, Score, and Chord data can be displayed on screen, or on an external video monitor
    Markers with Add, Delete, Edit and Loop functions
    Jukebox function MP3 Player / Recorder MP3 Player and Recorder
    Transpose (+6/-5 semitones), Tempo change (±30%)
    Vocal Remover
    Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Microphone, Guitar, Effects, and KAOSS Effects
    Sequencer Quick Record (Backing Sequence), Multitrack and Step Record functions
    Full-featured sequencer, 16 tracks, Up to 200,000 events, SMF (MID) native format SongBook Fully programmable music database, based on Styles, MIDI Songs (MID and KAR files), MP3 Songs, with automatic selection of Style Play and Song Play modes
    User definable Set Lists, with Entries selectable from the control panel
    Filtering and sorting options Compatibility Pa-Series models: Styles, Performances, Programs/Sounds, Songs, SongBook Entries, Pads
    ‘i-Series’ models: Styles Pads Four Assignable Pads + Stop buttons
    Pad Record function General Controls Master Volume, Fade In/Out, Keyboard-Acc/Song Balance, Ensemble, Octave Transpose, Master Transpose, Joystick, 2 Assignable Knobs, 3 Assignable Switches, Tempo +/-, Tempo Lock; Metronome On/Off, Dial, Search, Shift Split, Record Scale Controls Physical Quarter Tone SubScale Keypad, 4 x Scale Presets
    Control Inputs Damper pedal (supports half-pedaling with the optional DS-1H pedal)
    Assignable pedal/switch Audio Inputs Line (Left/Right): 1/4” jacks, +20dBm, 12k Ohm
    Mic/Guitar (Left): 1/4” jack, with Gain control (0–+40dB)
    12k ohm (Mic) / 500k ohm (Guitar) Audio Outputs Left/Right, 1/4” jack, +21dBm, 0.003% THD+N@+18dBm
    Headphone output (1/4” jack), 16-200 Ohms (50 Ohms suggested) Speaker System Amplification: 2 x 25W Speakers: 2 x Dual Cone
    Speakers in Bass Reflex Box MIDI IN, OUT standard MIDI connectors
    USB to MIDI using the USB ports
    HOST: memory and controllers, DEVICE: personal computers
    Eight user definable MIDI Setups USB Type A (Host), Type B (Device)
    2.0 Hgh-Speed connections (480 Mbit/s). Low-Speed (1.5 Mbit/s) and Full-Speed (12 Mbit/s) devices can only be connected through a High-Speed USB hub. Storage Internal memory: 960 MB
    USB external drives (drive not included)
    microSD card (not included); rear panel slot with plastic cover
    Display 7” Wide capacitive color TouchView™ TFT display Video Out RCA connector Clock Internal System Clock Power Consumption 100–240 Volts, 50/60 Hz, 25 Watt normal / < 0.3 Watt in standby Dimensions (W x D x H) 1030 x 378.3 x 132 mm/40.55" x 14.89" x 5.2" (without music stand; height with music rest: 355.8 mm / 14”) Weight 9.95 kg/21.93 lbs Included Items AC Power Cable, Music Stand, Quick Guide manual Accessories EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal
    DS-1H Damper Pedal (supports half-pedal)
    PS-1, PS-3 Pedal Switch
    VOX V860 volume pedal
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    PA700 Oriental

    PA700 Oriental

    Keyboard 61 keys (C2 – C7) with velocity System Upgradable operating system, Multitasking, Load while play Sound Generator EDS-X (Enhanced Definition Synthesis – eXpanded)
    Filters with resonance, 3-band EQ on each Sound Polyphony 128 voices, 128 oscillators
    Effects Accompaniment/Song: 2 insert effects; 2 master effects (148 types)
    Keyboard Sounds: 1 insert effect; 2 master effects (148 types)
    Final mastering effects: Limiter, Master EQ
    Voice Processor: 5 FX, 28 Factory, 64 User Presets
    Guitar Processor: 3 FX, 45 Factory, 64 User Presets Sounds / Drum Kits Factory: More than 1,700 Factory Sounds including a multilayer Stereo Piano with damper and body resonance, GM/XG sound sets and 106 Drum Kits
    User: 512 Sounds, 256 Drum Kits
    Digital Drawbars: 9 footages, percussion, key on/off, leakage, rotary speaker effect
    DNC (Defined Nuance Control) Technology, Natural Ambience Drums
    Full Sounds/Drum Kits editing Sampling 128 MB compressed (equivalent to 256 MB linear data);
    Loads KORG, WAV, AIFF and SoundFont™ formats
    Saves KORG, WAV and AIFF formats
    Full Edit, Time Slice Styles Factory: More than 370 Factory Styles, freely reconfigurable sets
    User: 1,152 locations, including User and Direct banks
    Eight Accompaniment tracks, 4 Keyboard Sets, 4 Pads per Style;
    Style Settings (Sounds and Arranger parameters) on each Style
    Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table)
    Style/Pad Record with Step Record, Track and Event Edit
    Style Creator Bot (MIDI Song to Style Converter)
    Style controls: 3 Intros, 4 Variations, 4 Fills, Break, 3 Endings, Synchro Start, Synchro Stop, Tap Tempo/Reset, Bass Inversion, Auto Fill, Manual Bass, Memory, Accompaniment Mute, Drum Mapping, Snare & Kick Designation, Style to Keyboard Set Mode
    Chord Sequencer Chord Sequence recorder and player in Style Play mode
    Chord Sequences can be saved to Style and SongBook Entries
    Edit functions: Delete, Copy from Style/SongBook, Import/Export from/to SMF Keyboard Set Library Memorize Keyboard Sound settings
    Factory: More than 290 Factory Keyboard Sets, freely reconfigurable
    User: 864 locations, including User and Direct banks
    ‘My Setting’ special Keyboard Set KAOSS FX Automatic MIDI FX generator
    More than 65 Factory Presets Song Play Supported formats: MID, KAR, MP3+Lyrics, MP3+G
    Select, Start/Stop, Home, Rewind and Fast Forward controls
    Lyrics, Score, and Chord data can be displayed on screen, or on an external video monitor
    Markers with Add, Delete, Edit and Loop functions
    Jukebox function MP3 Player / Recorder MP3 Player and Recorder
    Transpose (+6/-5 semitones), Tempo change (±30%)
    Vocal Remover
    Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Microphone, Guitar, Effects, and KAOSS Effects
    Sequencer Quick Record (Backing Sequence), Multitrack and Step Record functions
    Full-featured sequencer, 16 tracks, Up to 200,000 events, SMF (MID) native format SongBook Fully programmable music database, based on Styles, MIDI Songs (MID and KAR files), MP3 Songs, with automatic selection of Style Play and Song Play modes
    User definable Set Lists, with Entries selectable from the control panel
    Filtering and sorting options Compatibility Pa-Series models: Styles, Performances, Programs/Sounds, Songs, SongBook Entries, Pads
    ‘i-Series’ models: Styles Pads Four Assignable Pads + Stop buttons
    Pad Record function General Controls Master Volume, Fade In/Out, Keyboard-Acc/Song Balance, Ensemble, Octave Transpose, Master Transpose, Joystick, 2 Assignable Knobs, 3 Assignable Switches, Tempo +/-, Tempo Lock; Metronome On/Off, Dial, Search, Shift Split, Record Scale Controls Physical Quarter Tone SubScale Keypad, 4 x Scale Presets
    Control Inputs Damper pedal (supports half-pedaling with the optional DS-1H pedal)
    Assignable pedal/switch Audio Inputs Line (Left/Right): 1/4” jacks, +20dBm, 12k Ohm
    Mic/Guitar (Left): 1/4” jack, with Gain control (0–+40dB)
    12k ohm (Mic) / 500k ohm (Guitar) Audio Outputs Left/Right, 1/4” jack, +21dBm, 0.003% THD+N@+18dBm
    Headphone output (1/4” jack), 16-200 Ohms (50 Ohms suggested) Speaker System Amplification: 2 x 25W Speakers: 2 x Dual Cone
    Speakers in Bass Reflex Box MIDI IN, OUT standard MIDI connectors
    USB to MIDI using the USB ports
    HOST: memory and controllers, DEVICE: personal computers
    Eight user definable MIDI Setups USB Type A (Host), Type B (Device)
    2.0 Hgh-Speed connections (480 Mbit/s). Low-Speed (1.5 Mbit/s) and Full-Speed (12 Mbit/s) devices can only be connected through a High-Speed USB hub. Storage Internal memory: 960 MB
    USB external drives (drive not included)
    microSD card (not included); rear panel slot with plastic cover
    Display 7” Wide capacitive color TouchView™ TFT display Video Out RCA connector Clock Internal System Clock Power Consumption 100–240 Volts, 50/60 Hz, 25 Watt normal / < 0.3 Watt in standby Dimensions (W x D x H) 1030 x 378.3 x 132 mm/40.55" x 14.89" x 5.2" (without music stand; height with music rest: 355.8 mm / 14”) Weight 9.95 kg/21.93 lbs Included Items AC Power Cable, Music Stand, Quick Guide manual Accessories EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal
    DS-1H Damper Pedal (supports half-pedal)
    PS-1, PS-3 Pedal Switch
    VOX V860 volume pedal
    $1,299.00

    PA700 Oriental

    $1,299.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg PA1000 keyboard

    Korg PA1000 keyboard

    $1,999.00

    The 61-key keyboard offers a semi-weighted action, feels just right, features naturally responsive key-on/key-off velocity sensitivity and aftertouch, and is designed for musicians of all levels.

    Slim, powerful and easy to use

    The Pa1000 has been designed with the concept of combining a slim profile with a professional motif. The 2x33 Watt amplifiers drive the 4 loudspeakers in a bass-reflex enclosure to generate a rich, full-bodied listening experience. The main panel has been optimized to ensure that all controls are ergonomically positioned and intuitively located to make every performance feel smooth and natural. Big, bright, and bold, the new capacitive TouchView display hosts a redesigned graphical interface that is easier than ever to read, even under the most demanding lighting environments.

    FREE SHIPPING
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg PA1000 keyboard

    Korg PA1000 keyboard


    The 61-key keyboard offers a semi-weighted action, feels just right, features naturally responsive key-on/key-off velocity sensitivity and aftertouch, and is designed for musicians of all levels.

    Slim, powerful and easy to use

    The Pa1000 has been designed with the concept of combining a slim profile with a professional motif. The 2x33 Watt amplifiers drive the 4 loudspeakers in a bass-reflex enclosure to generate a rich, full-bodied listening experience. The main panel has been optimized to ensure that all controls are ergonomically positioned and intuitively located to make every performance feel smooth and natural. Big, bright, and bold, the new capacitive TouchView display hosts a redesigned graphical interface that is easier than ever to read, even under the most demanding lighting environments.

    FREE SHIPPING
    $1,999.00

    Korg PA1000 keyboard

    $1,999.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Medeli A1000 Keyboard

    Medeli A1000 Keyboard

    $1,990.00$698.00
    The next-generation arranger workstation is here. Powered by the latest sound technology and the enhanced style engine, A1000 brings the most stunning realistic voices and accompaniments. 16-track sequencer, style creator, 4-part arpeggiator, audio player & recorder, assignable controllers, massive user memory, and other powerful functions are all conveniently accessible through the optimized high-definition graphic user-interface with touch screen.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Medeli A1000 Keyboard

    Medeli A1000 Keyboard

    The next-generation arranger workstation is here. Powered by the latest sound technology and the enhanced style engine, A1000 brings the most stunning realistic voices and accompaniments. 16-track sequencer, style creator, 4-part arpeggiator, audio player & recorder, assignable controllers, massive user memory, and other powerful functions are all conveniently accessible through the optimized high-definition graphic user-interface with touch screen.
    $1,990.00 $698.00

    Medeli A1000 Keyboard

    $1,990.00 $698.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg Kronos 73 Key Keyboard

    Korg Kronos 73 Key Keyboard

    $3,599.99
    System
    KRONOS System Version 3.0
    Keyboard
    73 key: RH3 (Real Weighted Hammer Action 3)

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    73 key: 1,221 x 371 x 148 mm / 48.07” x 14.61” x 5.83”
    Weight
    73 key: 21.1 kg / 46.52 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg Kronos 73 Key Keyboard

    Korg Kronos 73 Key Keyboard

    System
    KRONOS System Version 3.0
    Keyboard
    73 key: RH3 (Real Weighted Hammer Action 3)

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    73 key: 1,221 x 371 x 148 mm / 48.07” x 14.61” x 5.83”
    Weight
    73 key: 21.1 kg / 46.52 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    $3,599.99

    Korg Kronos 73 Key Keyboard

    $3,599.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Peavey KB 5

    Peavey KB 5

    $999.99
    The new Headliner™ series has been re-designed from the ground up for the serious bass player on a budget. Voiced for strong bass with a smooth harmonic tone, the versatility and performance of the Headliner™ 115 encourages use with any fine bass amp head.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Peavey KB 5

    Peavey KB 5

    The new Headliner™ series has been re-designed from the ground up for the serious bass player on a budget. Voiced for strong bass with a smooth harmonic tone, the versatility and performance of the Headliner™ 115 encourages use with any fine bass amp head.
    $999.99

    Peavey KB 5

    $999.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Korg Kronos 61 Key Keyboard

    Korg Kronos 61 Key Keyboard

    $3,199.99
    System
    KRONOS System Version 3.0
    Keyboard
    61 key: Natural Touch Semi Weighted

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    61 key: 1,040 x 364 x 134 mm / 40.94” x 14.33” x 5.28”
    Weight
    61 key: 14.3 kg / 31.53 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Korg Kronos 61 Key Keyboard

    Korg Kronos 61 Key Keyboard

    System
    KRONOS System Version 3.0
    Keyboard
    61 key: Natural Touch Semi Weighted

    Tone Generator
    Synthesis Types
    9
    SGX-2: Premium Piano (Acoustic Piano)
    EP-1: MDS Electric Piano (Electric Piano)
    HD-1: High Definition Synthesizer (PCM)
    AL-1: Analog Synthesizer (Analog Modeling)
    CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
    STR-1: Plucked Strings (Physical Modeling)
    MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
    MS-20EX: Component Modeling Technology (Analog Modeling)
    PolysixEX: Component Modeling Technology (CMT Analog Modeling)
    Maximum Polyphony*1*2
    SGX-2: 100 voices*3
    EP-1: 104 voices
    HD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1: 40 voices
    MOD-7: 52 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices

    *1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
    *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
    *3: 100 dual-stereo notes (equivalent to 400 mono voices)
    Preset PCM
    314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
    Build-in Expansion PCM Libraries
    EXs1 - ROM Expansion
    EXs2 - Concert Grand Piano
    EXs3 - Brass & Woodwinds
    EXs4 - Vintage Keyboards
    EXs5 - ROM Expansion 2
    EXs6 - SGX-1 German D Piano
    EXs7 - SGX-1 Japanese C Piano
    EXs8 - Rock Ambience Drums
    EXs9 - Jazz Ambience Drums
    EXs17 – SGX-2 Berlin D Piano
    EXs18 – KORG EXs Collections
    PCM RAM Capacity
    Approx. 2GB *4
    *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
    Wave Sequences
    598 User memory, 187 Preload
    Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
    SGX-2 Program
    Premium Piano
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
    Damper resonance and mechanical noise are reproduced.
    Modeled String Resonance.
    Una Corda sample support
    PCM
    EXs6:SGX-1 German D Piano
    EXs7:SGX-1 Japanese C Piano
    EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
    8 velocity levels, no Una Corda samples
    EXs17:Berlin D Piano
    12 velocity levels, includes Una Corda samples
    Piano Type
    64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
    Oscillator Control
    Damper Resonance
    Damper Noise
    Mechanical Noise
    Note Release
    String Resonance
    Una Corda
    EP-1 Program
    MDS Electric Piano
    Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
    Electric Piano Model Types
    6
    Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
    Oscillator Control
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
    Panel Control
    Tine Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Reed Type
    Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
    Effect Types
    9
    Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
    HD-1 Program
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Structure
    Single: only OSC1, Double: OSC1 and OSC2.
    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
    Drums: One drum kit, Double Drums: Two drum kits.
    Oscillators
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
    8 velocity zones per oscillator, with switching, crossfades and layering 
    Each zone can play mono or stereo Multisamples or Wave Sequences
    Filters
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
    Four-mode filter routings (single, serial, parallel and 24dB mode)
    Driver
    Per voice non-linear driver and low boost circuit
    EQ
    Three bands, with sweep-able mid
    Modulation
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program Common
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Modulation
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
    EQ
    Three bands, with sweep-able mid
    AL-1 Program
    Oscillators
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
    Audio Input
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters
    Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
    Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver
    Per-voice non-linear driver and low boost circuit
    Modulation
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
    CX-3 Program
    Tonewheel Organ Modeling
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX Mode
    Four additional, user-specified drawbars, and expanded percussion.
    Internal Effects
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar Control
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split
    Upper, Lower (even in EX mode)
    Modulation
    Two AMS mixers
    STR-1 Program
    Physically Modeled String
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
    Most string parameters can be controlled in realtime.
    String Excitation
    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
    16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
    4 velocity zones per oscillator;
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
    Supports Virtual Memory.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes
    Audio Input and Feedback
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
    Filters
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
    Multi Filter Mode (Filter A only).
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Modulation
    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
    MOD-7 Program
    Waveshaping VPM Synthesizer
    Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
    Oscillators
    6 VPM/Waveshaper/Ring Modulation Oscillators:
    Phase and modulatable pitch per oscillator.
    101 Waveshaper tables plus modulatable Drive and Offset.
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
    PCM Oscillator:
    KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
    4 velocity zones per oscillator.
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
    Audio input
    Run real-time audio through the VPM Oscillators and filters.
    Filters
    Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter looping (Parallel and 24 dB “4-Pole”)
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
    Patch Panel
    Supports both preset algorithm (78 types) selection and free patching.
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
    MS-20EX Program
    Oscillators
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters
    12dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal Out
    Manual Controller:
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
    ESP (External Signal Processor)
    Use incoming audio as a trigger and/or CV source.
    Modulation
    Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
    Original MG (with MIDI sync), Sample-and- Hold, MVCA,
    KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
    PolysixEX Program
    Oscillators
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, 1 octave below, 2 octaves below
    Filter
    24dB (4-Pole) Octave Low Pass self-resonant filter
    Effects
    Integrated Polysix Chorus, Phaser, and Ensemble
    Arpeggiator
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
    Modulation
    Polysix: Original ADSR EG and MG (with MIDI sync).
    KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
    Combination
    Number of Timbres, Master Keyboard Functionality
    16 Maximum
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
    The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
    Advanced Vector Synthesis
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
    Drumkit
    System
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
    Number of Programs/Combinations/Drum kits
    User Memory Programs
    2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
    User Memory Combinations
    1,792 (512 come preloaded)
    User Memory Drum Kits
    264 (78 come preloaded)
    256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
    Set List
    Number of Set Lists/Slots
    128 set lists, 128 slots per set list
    Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
    Transpose setting.
    Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
    Sampling
    System
    Open Sampling System (resampling, In-Track sampling)
    Bit Depth/Sampling Frequency
    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz
    Sampling Time
    RAM: Depends on the amount of available PCM RAM
    DISK: Maximum 80 minutes stereo (879MB: 16bit)
    Sample Locations
    16,000 samples/4,000 multisamples (128 indexes per multisample)
    Ripping
    Direct sampling (ripping) from audio CD (CD-DA)
    Formats
    KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
    Editing
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
    Effects
    Insert Effects
    12
    Stereo in / stereo out
    Master Effects
    2
    Stereo in / stereo out
    Total Effects
    2
    Stereo in / stereo out
    Timbre EQ
    One 3-band EQ for each timbre/track
    Effect Types
    197
    Modulation
    Dynamic Modulation and Common LFO
    Effects Control Busses
    Stereo side-chaining for compressors, gates, vocoders, etc.
    Effect Presets
    Total 783 preset, Maximum 32 per 1 effect (Preset User)
    KARMA
    KARMA Modules
    One module in Program mode, four modules in Combination and Sequencer modes
    Generated Effects (GE)
    2,048 presets, 1,536 Users (96 come Preload)
    Controllers
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
    Drum Track Patterns
    718 preset (common with the preset patterns of the MIDI sequencer)
    1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns.
    Trigger Mode/Sync/Zone settings can be specified.
    Sequencer/HDR
    Tracks
    16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
    Number of Songs
    200 songs
    Resolution
    1/480
    Tempo
    40.00 – 300.00 (1/100 BPM resolution)
    Maximum Memory
    400,000 MIDI events or 300,000 audio events
    MIDI Tracks
    16 tracks plus the master track
    718 preset/100 user patterns (per song)
    18 preset/16 user template songs,
    Audio Tracks
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
    Other Functions
    RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
    General
    Disk Mode
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
    Controllers
    Vector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface:
    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
    Tone Adjust/EQ
    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
    KARMA Control:
    On/Off, Latch, Module Control
    DRUM TRACK:
    On/Off
    Display
    TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
    Outputs
    == Analog ==
    (MAIN) L/MONO, R:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
    Individual 1-4:
    1/4” TRS Balanced
    Output Impedance: 350 Ω Stereo; 175 Ω Mono,
    Nominal Level: +4.0 dBu,
    Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
    Headphones:
    1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
    MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
    Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
    Inputs
    == Analog ==
    Audio Inputs 1 and 2:
    1/4” TRS Balanced
    MIC/LINE input level switches, LEVEL knobs
    Input Impedance: 10 kΩ
    Nominal Level: LINE
    +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
    Nominal Level: MIC
    –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
    Maximum Level: LINE
    +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
    Maximum Level: MIC
    -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
    Source Impedance: 600 Ω
    Signal to noise ratio: 95 dB (typical)
    Dynamic range: 95 dB (typical)
    Crosstalk: 95 dB, at 1 kHz (typical)
    == Digital ==
    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
    USB-B:
    24-bit, Sample Rate: 48 kHz, 2 channels
    Control Inputs
    Damper pedal (half damper supported), assignable switch, assignable pedal
    MIDI
    In, Out, Thru
    USB*5
    USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
    USB B (TYPE B) x 1, MIDI/audio interface
    MIDI: 1 (16 channel) input / 1 (16 channel) output
    Audio: 2 channel input / 2 channel output
    *5 USB high-speed ports (supports 480Mbps)
    Disk Drives
    60 GB SSD (2.5”)
    Optional installation of second internal SSD
    Power Consumption
    60W
    Dimensions
    (W x D x H)
    61 key: 1,040 x 364 x 134 mm / 40.94” x 14.33” x 5.28”
    Weight
    61 key: 14.3 kg / 31.53 lbs.
    Accessories
    AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
    Principal Specifications
    Frequency Response
    20Hz-22kHz, +/-1.0dB, 10k Ω load
    THD+N
    20Hz-22kHz, 0.01%, 10k Ω load (typical)
    S/N
    95dB (typical)
    Dynamic Range
    95dB (typical)
    Crosstalk
    95dB, at 1kHz (typical)
    $3,199.99

    Korg Kronos 61 Key Keyboard

    $3,199.99
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Medeli A100 Keyboard

    Medeli A100 Keyboard

    $179.00
    With over 508 voices, 180 styles and 120 songs, you could play along to any of the popular songs onboard or select any styles to accompany your favorite tunes. The performance could also be simply recorded on the keyboard and share with friends on board. Connect A100 to a PC or laptop and you could access to different music softwares.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Medeli A100 Keyboard

    Medeli A100 Keyboard

    With over 508 voices, 180 styles and 120 songs, you could play along to any of the popular songs onboard or select any styles to accompany your favorite tunes. The performance could also be simply recorded on the keyboard and share with friends on board. Connect A100 to a PC or laptop and you could access to different music softwares.
    $179.00

    Medeli A100 Keyboard

    $179.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
  • Hammond XK-3c 73-Key Portable Keyboard

    Hammond XK-3c 73-Key Portable Keyboard

    $2,695.00
    The HAMMOND Xk-3c is recognized throughout the world for its sound, style and unmistakable dedication to the traditions created and maintained by HAMMOND for over 75 years. When a Hammond B-3 is not available, for whatever reason; serious musicians everywhere know only the Hammond Xk-3c can fit the bill. Many imitators have been brought forth, but one touch of their keys demonstrates you can’t clone soul, and you can’t clone feel. You don’t have to “break in” an Xk-3c, and you don’t have to “get used to it”. It feels right and sounds right, because it is right. Only a genuine HAMMOND can deliver this promise.
    Maximum quantity exceeded
    Minimum purchase amount of 0 is required
    Hammond XK-3c 73-Key Portable Keyboard

    Hammond XK-3c 73-Key Portable Keyboard

    The HAMMOND Xk-3c is recognized throughout the world for its sound, style and unmistakable dedication to the traditions created and maintained by HAMMOND for over 75 years. When a Hammond B-3 is not available, for whatever reason; serious musicians everywhere know only the Hammond Xk-3c can fit the bill. Many imitators have been brought forth, but one touch of their keys demonstrates you can’t clone soul, and you can’t clone feel. You don’t have to “break in” an Xk-3c, and you don’t have to “get used to it”. It feels right and sounds right, because it is right. Only a genuine HAMMOND can deliver this promise.
    $2,695.00

    Hammond XK-3c 73-Key Portable Keyboard

    $2,695.00
    Successfully Added to your Shopping Cart
    Adding to Cart...
1 2
3
4 5

TOP